You know, it all started innocently enough. I just wanted to put a little hummingbird on my guitar in honor of my sweetheart. So I contacted a custom inlay guy, and he said it’d take three weeks and about $300. And it seemed reasonable for the work. But then I got the idea that I could do it myself.
Five months later…well…you know, I keep all the receipts for the books, materials, and tools I’ve bought during my educational process. I stuff them in an envelope and never ever look at them. Because I know damn well I’ve spent way more than $300 on this stuff. If I actually totaled it up, my heart wouldn’t survive the shock of the aggregate reality.
I was sitting at dinner at a friend’s parents’ house Saturday night. She’s currently a veterinarian, but would like to be a luthier. She just hasn’t found a lot of time to start working on her first kit to see how the reality compares to the dream. Her father asked me if I wanted to build guitars, too, and I said, “No, I want to put inlays into B’s guitars. I’ve got a whole business planned for the two of us.” I’ve done some reading on luthiery, and while the process fascinates me, it’s more on a theoretical level than one that makes me want to try it myself. But the fact is, there’s a pretty heavy woodworking component to this inlay stuff, and understanding woodworking techniques and tools kind of goes with the territory, though most everything is on a smaller scale. And I buy a lot of my stuff from luthier supply companies.
Similarly, woodworking in general fascinates me. I would ask endless questions of A about his work, learning as much as I could, and it’s served me well as I continue educate myself on my own now. I have lots of questions, far more intelligent and informed questions, now that I’d love to ask him, of course. And while I’m not really sure I will ever feel called to build a cabinet, I find that the more I learn, the more impressed I am with his work. And I was blown away as it was.
I keep telling myself I’m no woodworker, and have no woodworking aspirations beyond what I need to know to do inlay with some competence. Yet, how do I explain the 4 woodworking books and 2 more on finishing alone on my shelf, not to mention the catalogs and the new subscription to Woodcraft magazine?
Um…
It’s a slippery slope, this hobby stuff, and I will admit a past (and continuing) problem with guitar/gadget/gear-of-all-kinds acquisition syndrome. So I suppose I shouldn’t be surprised that what started out as a few bits of shell, some superglue, and a jeweler’s saw has spiraled into something much more tool intensive. Today I bought a circular saw. A nice one.
If I’d just gone with my original plan, I’d have a hummingbird that I’m probably a year away from even now on my guitar, and would’ve saved a lot of money. But learning inlay has become more than a means to that specific end for me. The fact is, I feel good working in what I have started calling “the shop.” I feel peaceful when I’m out there (except for when I’m cussing at my mistakes). I always feel good creating something real, but this is even more special, because it also makes me feel closer to A, to be doing things that I know he must’ve done, with versions of tools he must’ve owned. Plus, I feel like the legacy of his shop and work lives on through me. It’s different work, and wholly my own (he was never a fan of inlay; he preferred a clean, simple aesthetic), but there’s a connection that seems both fitting and appropriate. I take a lot of comfort from that. The truth is, despite having cried a lot of places in the last 8+ months, I haven’t cried once while working out in the shop. I think that’s telling.
And it’s been both therapy and evidence of healing. The inlay project is the first new thing I’ve done since he died. It’s hard to explain the significance of starting something new if you haven’t gone through a loss like that, but regaining (and retaining) interest in even the things that once brought me pleasure has been a huge challenge. To try something new, to initiate more change when your life has changed so drastically, without your consent, seems impossible for a really long time. You don’t want to change the scenery, even though one of the stars has made his exit. For a long time, you leave your life in state. Planning for the future seems pointless, even if you could muster up the energy to do so. At least, it’s been true for me. As I was buying tools, more than once I thought, “Shit, I could be dead before they even arrive.” It’s still true, but I don’t really care. As the sages say, it’s the journey, not the destination.
Every time I sit down at the bench, it’s a step forward. I think “No matter what else I’m doing or not doing, no matter how I’m feeling, this is evidence that I’m ‘getting on with my life.’ I’m learning and creating, and therefore, I’m living.” It’s new, different, and it requires a personal investment in the process. On the surface, I’m buying tools to build inlays. But with every tool I purchase and use, I’m also rebuilding myself.
And for that, you need a good circular saw, dammit!