Artifacts
I have a necklace that A gave me, one he picked up in Kenya several years before we met. He told me at the time that he must have been saving it for me. It is made of black and brown wooden beads, with a large terra cotta bead in the middle, and 2 carved soapstone animals on either side. There is one in a perfect necklace-fiddling location that is a rhinoceros, and his horn is carved flat on top in a way that invites my fingers to slide along the cool smoothness of the stone.
When I’d wear the necklace, I’d let A know, and he was always pleased to know that I actually wore it. I’d tease him that I was "fondling the rhinos on my chest," which of course quickly became an allusion to a different and altogether naughtier activity than the actual reality.
I wore that necklace many times when he was alive, and no one ever said a word about it. I recently started wearing it again, because I had outfits it would go with. (A rustic African necklace with carved animals doesn’t go with everything.) And every time I do, I get tons of compliments on it, at work, in shops, last night at the coffee house. Which is strange to me, because it never elicited any response before; it’s only since he passed that it has.
I actually like it. If people ask about it, I say it’s from Kenya, or I say "it was a gift from a friend," and leave it at that. But I wonder if it has some kind of special energy to it now that makes it more noticeable; I know it always has for me, and now I tend to wear it when I need to feel a little closer to him.
If nothing else, I like it because every time they notice it, whether they realize it or not, it validates that he was here. That he touched that necklace, brought it home from another continent, and gave it to me. Someone besides me is acknowledging that he was here. He was here.


